The report, prepared by the Sustainable Development Solutions Network (SDSN) and the Earth Institute at Columbia University, showed Syria, Afghanistan and eight sub-Saharan countries as the 10 least happy places on earth to live. The top 10 this year were Denmark, Switzerland, Iceland, Norway, Finland, Canada, Netherlands, New Zealand, Australia, and Sweden. Denmark was in third place last year, behind Switzerland and Iceland. The bottom 10 were Madagascar, Tanzania, Liberia, Guinea, Rwanda, Benin, Afghanistan, Togo, Syria and Burundi. The United States came in at 13, the United Kingdom at 23, France at 32, and Italy at 50. Here: #8. NEW ZEALAND: A woman dives from a platform into a giant air bed at a park in Palmerston North September 29, 2011. (Photo by Marcos Brindicci/Reuters)

James Doran has created two epic dragon sculpture. The first, perched on a dead tree, is called ‘The Wyvern in the Baobabs’ (a wyvern is a type of dragon with two legs and two wings). The other, ‘Wyvern’s Folly,’ is perched on a gazebo made from reclaimed steel and recycled water bottles.

An extraordinary work of art has just been completed in Scotland. The Kelpies by figurative sculptor Andy Scott surge upwards in steel, whinnying and snorting alongside the banks of the Forth and Clyde Canal near the town of Falkirk. These fantastic beasts from Gaelic mythology have risen again as monuments to the horse-powered industrial heritage of Scotland.

Workers put some finishing touches on “Forever Marilyn”, a sculpture by Seward Johnson, on July 14, 2011 in Chicago, Illinois. The stainless steel and aluminum sculpture which stands 26 feet tall and weighs 34,000 pounds will be unveiled tomorrow and remain on display in Chicago through the spring of 2012. The sculpture was inspired by Marilyn Monroe's iconic scene in the 1955 movie “Seven Year Itch”. (Photo by Scott Olson/Getty Images)

A Gnawa traditional group performs in the city of Essaouira on December 14, 2019, to celebrate the decision of adding the Gnawa culture to UNESCO's list of Intangible Cultural Heritage of Humanity. Gnawa culture, a centuries-old Moroccan practice rooted in music, African rituals and Sufi traditions, was added to UNESCO's list of Intangible Cultural Heritage of Humanity earlier in the week. Gnawa refers to a “set of musical productions, fraternal practices and therapeutic rituals where the secular mixes with the sacred”, according to the nomination submitted by Morocco. Often dressed in colourful outfits, Gnawa musicians play the guenbri, a type of lute with three strings, accompanied by steel castanets called krakebs. (Photo by Fadel Senna/AFP Photo)

“24.27 N, 81.44 W. These coordinates mark the spot of the final resting place of an old brave soldier, the USS General Hoyt S. Vandenberg. In 2009 it underwent a complete change when the creaky steel monster became a mystical bearer of secrets. In May of that year, the Vandenberg was lowered down into the darkness of the ocean off the coast of Florida to become an artificial reef, where it would dwell in rigor mortis at a depth of 130 feet. This lively, animate, secretive nothingness, this menacing, wild emptiness would haunt and seduce the renowned Austrian photographer and passionate diver Andreas Franke...”. – The Sinking World (Photo by Andreas Franke)

The Ring of Life is a 515-foot (approximately 157 meters) landmark built in the city of Fushun, China. The landmark is built with an observation deck accessible by elevator, as well as 12,000 LED lights. Having abandoned local entertainment projects due to the small local population, urban planners settled on building a sightseeing landmark instead in order to attract a tourist industry to the region. The structure uses approximately 3,000 tons of steel and cost an estimated $16M U.S. dollars.

Since 2002 the Ventura bus stop at Telegraph Rd next to the Pacific View Mall remains as Ventura’s most controversial piece of public art. Created by renowned sculptor, Dennis Oppenheim, “Bus Home ” is a looping cork screw of steel, concrete, acrylic, paint, and electric light. It stands 36′ at its tallest height. For the artist: “The work depicts the metamorphosis of a bus becoming a house…entering the ground and coming up again. For the tired and often alienated traveler the experience of waiting wished to be intervened by the realization that the transaction will be complete. The passengers will arrive at their destination. They will arrive home