Suited volunteers in bowler hats stand in the surf holding umbrellas aloft at sunrise at Bondi Beach on June 27, 2010 in Sydney, Australia. The human installation is the latest in a series of “surreal human sculptures” by artist Andrew Baines (Photo by Brendon Thorne/Getty Images)
Mongolian herder, Khurelsukh, throws the carcass of a goat onto a heap as he struggles to deal with losing a quarter of his herd, on March 8, 2010 in Bayantsogt, Tuv province, Mongolia. (Photo by Paula Bronstein /Getty Images)
People protect themselves behind a trash can as anti-riot olice fires water cannon to disperse thousands of people demonstrating following the death of Berkin Elvan, a teenage boy wounded in mass anti-government demonstrations last year, on March 11, 2014 near the Middle East Technical University (ODTU) in Ankara. Elvan's story – he spent 269 days in a coma – gripped the nation and became a symbol of the heavy-handed tactics used by police to reign in the biggest demonstrations against Prime Minister Recep Tayyip Erdogan since he came to power in 2003. (Photo by Adem Altan/AFP Photo)
Villagers look on as Mount Sinabung volcano spews thick volcanic ash, as seen from Beganding village in Karo, North Sumatra province, on May 19, 2017. Sinabung roared back to life in 2010 for the first time in 400 years. After another period of inactivity, it erupted once more in 2013 and has remained highly active since. (Photo by Ivan Damanik/AFP Photo)
A robot named “Robovie-II”, developed by Japanese robotics research institution ATR, moves around at a grocery store during a shopping assisting experiment by utilizing the robot in an ubiquitous network technology platform in Kyoto, western Japan January 6, 2010. (Photo by Yuriko Nakao/Reuters)
The Belgian photographer Anton Kusters spent two years photographing the Yakuza, Japan’s most notorious gang. He returned with some amazing images that he made into a book called “Odo Yakuza Tokyo”. (Odo means “the way of the cherry blossom” and is the credo of the Yakuza family he followed. Photo: An erotic danser picks up fake 2-dollar bills during a private dance with a Yakuza customer in a strip tease bar in Kabukicho, a bar which is controlled by the ODO family – 2010. (Photo and caption by Anton Kusters)
A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.