Gurung girls wearing traditional costumes dance while taking part in a New Year parade in Kathmandu, Nepal December 30, 2015. Members of the Gurung community in Nepal celebrate their Tamu Lhosar or Losar (New Year) with a feast and various cultural programs to usher in the year of the Monkey. (Photo by Navesh Chitrakar/Reuters)

Triston surfs a wave as his father, Todd, watches in Morro Bay. “Hes the most coordinated 3-year-old I've ever seen”, says the 35-year-old captain/paramedic with the Morro Bay Fire Department. (Photo by Joe Johnston/The Tribune of San Luis Obispo)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)

Festive decorations and illumination lights for the upcoming New Year and Christmas season are unveiled in Minsk, Belarus on December 15 , 2019. (Photo by Vasily Fedosenko/Reuters)

Over 160 photographs, costumes, illustrations and magazine covers will be displayed at Los Angeles' Getty Center, until October 21. The display features a century of art from 1911 through to 2011. The exhibition is free – with no tickets required – and will be displayed in the lower level of the museum's West Pavilion. Here: An iconic image of a younger Kate Moss. (Photo by Glen Luchford)

An employee works on a glass sphere for Christmas and New Year decoration at the “Biryusinka” toy factory, which has been producing decorations and toys for the festive season since 1942, in the Siberian city of Krasnoyarsk, Russia, November 16, 2016. (Photo by Ilya Naymushin/Reuters)

Under Exposed: Pekka Tuuri (Finland) – Great white shark, Isla Guadalupe, Mexico. “Isla Guadalupe is the world capital when it comes to observing great white sharks, but cage diving seriously limits the possibilities to take ‘fresh’ pictures. When I took this, the water close to the surface was quite milky, making photography very challenging. From out of the “mist”, I saw this great white shark lurking behind a school of fusiliers. I quickly focused on the shark and set a wide aperture to get focus blur on the fish, along with a fast shutter to avoid excessive motion blur”. (Photo by Pekka Tuuri/The Outdoor Photographer of the Year/The Guardian)