An empty cell block is pictured within Joint Task Force Guantanamo's Camp VI at the U.S. Naval Base in Guantanamo Bay, Cuba March 22, 2016. (Photo by Lucas Jackson/Reuters)

American actress Anya Taylor-Joy attends the Australian premiere of “Furiosa: A Mad Max Saga” on May 02, 2024 in Sydney, Australia. (Photo by Brendon Thorne/Getty Images)

In this 1997 photo released by the International Fund for Animal Welfare, a seal hunter, right, threatens a cameraman with a knife during the filming of a seal hunt in the Gulf of St. Lawrence, Canada. “Huntwatch”, a documentary by the organization about the fight to end commercial seal hunts, premieres in September 2016 on Discovery. The producers say it includes grainy but powerful archive footage that had languished in the basement of the group’s headquarters on Cape Cod for nearly five decades. (Photo by Richard Sobol/IFAW via AP Photo)

The Thufa hill in Reykjavik, Friday, October 28, 2016. Parliamentary elections will be held in Iceland on October 29, 2016, more than 250,000 voters are called to elect the new parliament, 63 members of the Althing parliament. (Photo by Frank Augstein/AP Photo)

Dancers from “LA Dance Project” perform, wearing a mask, during the drive-in show “Solo at Dusk” in Los Angeles, California, on October 13, 2020, amid the Coronavirus pandemic. (Photo by Valerie Macon/AFP Photo)

Shortlisted: The Life: A narrow strip, Río Tinto, Huelva, Spain. A narrow strip of road divides ochre-coloured and fresh waters. Trees wait on the fresh side of the road opposite the toxic waters of a nearby mine reservoir. (Photo by Roberto Bueno/CIWEM Environmental Photographer of the Year 2021)

Lara Stone at Mark's Club on October 27, 2016 in London, England. (Photo by Mark Milan/GC Images)

“In the late afternoon after a rain, genji botaru fireflies (luciola cruciate) dance above the swollen creek. The rocks darkened by the rain reflecting the blue sky, and the yellow-green ribbon of the glow from the fireflies, make a beautiful contrast”. – Takehito Miyatake. (Photo by Takehito Miyatake/Steven Kasher Gallery)