British housewives toss pancakes in skillets as they run through the streets of Olney, England, in the community's annual race which follows a 500-year-old tradition, February 6, 1951. Mrs. Isabel Dix, 22, extreme right, won the race covering the 415 yards from the Parish pump to the door of Sts. Peter and Paul church in one minute, 12.1 seconds. (Photo by AP Photo)

A polka-dotted foreign roadster for Polka-dot Queen Chili Williams was created by International Motors, a Hollywood automobile importer, shown March 8, 1948. Chili, a sports car enthusiast, requested that the British auto be “personalized”. (Photo by AP Photo)

Comedian Chevy Chase gets a kiss on his ear from co-star Benji as the two held a press conference in Los Angeles, September 6, 1979, at which they announced their up-coming movie “Oh Heavenly Dog” would begin filming this month. The film will be shot on location in London, Berlin and Paris; but due to British quarantine laws a double will be used for Benji at the London location. (Photo by Nick Ut/AP Photo)

Dancers resting on the rooftop of the SKD Theatre Asakusa, Tokyo, 1949. (Photo by Tanuma Takeyoshi/The Guardian)

A young Sandinista guerrilla takes aim with his 45 pistol as he stands waiting to do combat with the Nicaraguan National Guard in Managua June 23, 1979. The guerrillas still occupy major parts of the Capitol City. (Photo by McLendon/AP Photo)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

Vintage Newton, a pop-up exhibition of Helmut Newton prints from 1974-1984, opens in west London at the ONGallery. These prints, which feature Charlotte Rampling and Elsa Peretti, were produced from a series of transparencies that he considered his most provocative and important. Here: Saddle II. (Photo by Helmut Newton)

Actress Athene Seyler attempts to contort her body, in a scene from the show, “Skin Deep”. (Photo by Sasha/Getty Images). Circa 1928