Vocalist Laila Skovmand, a musician with Danish company Between Music, plays underwater in a tank during a rehearsal ahead of their UK premiere concert Aquasonic at the Tramway in Glasgow on Ocrober 25, 2017. (Photo by Robert Perry/PA Images)

The Arabian mare “Jenny” curiously sniffs at the child of Raphael Wöllstein, who is on his way to the train, on her daily walk through the Fechenheim district of Frankfurt, Germany on March 8, 2019. Her owner opens the stable door for the 22-year-old horse every morning. Then the animal can decide for itself where it wants to spend the day. So that nobody thinks she's escaped, a sign with the inscription “My name is Jenny, didn't run away, just go for a walk” is on the halter. (Photo by Boris Roessler/dpa)

Robot Xian'er is placed in the main building of Longquan Buddhist temple for photographs by the temple's staff, on the outskirts of Beijing, April 20, 2016. (Photo by Kim Kyung-Hoon/Reuters)

Visitors crowd an artificial wave swimming pool at a tourist resort to escape the summer heat in Daying county of Suining, Sichuan province, China, July 11, 2015. (Photo by Reuters/Stringer)

A street actor dressed as a devil frightens children in downtown Prague in Prague, Czech Republic, Monday, December 5, 2016. On the eve of St. Nicholas, Czechs traditionally celebrate by dressing up as Devils, Angels and St. Nicholas, and visiting children in their homes handing out small presents, coal, potatoes or other gifts. (Photo by Petr David Josek/AP Photo)

Jorge (2nd R), 31, who is among members of lesbian, gay, bisexual and transgender (LGBT) community and his brother Paulo, 28, (R) laugh at Arouche Square in downtown Sao Paulo, Brazil, November 20, 2016. (Photo by Nacho Doce/Reuters)

A roadside ice-cream vendor waits for customers at a market in New Delhi, India, April 7, 2016. The Indian economy is characterized by the existence of a vast majority of informal or unorganized labor employment. (Photo by Altaf Qadri/AP Photo)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)