A minaret, that was damaged during fighting between Islamic State jihadists and government forces, is seen in Ben Guerdane, near the Libyan border, Tunisia April 10, 2016. After a U.S. air strike killed a Tunisian jihadist commander in western Libya in late February, dozens of Islamic State fighters sneaked across the border into Tunisia and attacked an army barracks and police bases in the town of Ben Guerdane. (Photo by Zohra Bensemra/Reuters)

The Invasion. A quiet street in Macau. Modernization around is quickly changing the city, as documented by Paul Tsui. (Photo by Paul Tsui/National Geographic Travel Photographer of the Year Contest)

Model Elise Daniels dons a Balenciaga suit while surrounded by street performers in Paris, France in 1948. (Photo by Richard Avedon/Victoria and Albert Museum London/The Guardian)

Peasants celebrate a traditional festival “Corpus Cristhi” since the time of the conquest, in Anolaima in the department of Cundinamarca, Colombia on June 29, 2022. Peasants collect all kinds of fruits and assemble great representative figures in gratitude to God for this festival. (Photo by Yair Suarez/Anadolu Agency via Getty Images)

«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)

Snow falls as a woman walks her dog in the village of Podolye, 70 kilometers (43 miles) east of St. Petersburg, Russia, early Thursday, May 11, 2017. North winds brought snow to the east of the St. Petersburg region. (Photo by Dmitri Lovetsky/AP Photo)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)