A view of the fireworks during the Edge at Hudson Yard's 4th of July Celebration at Edge at Hudson Yards on July 04, 2021 in New York City. (Photo by Roy Rochlin/Getty Images for Edge at Hudson Yards)

People visit Luke Jerram's “In Memoriam”, a temporary memorial artwork for all those who lost their lives due to COVID-19, in Seaton Carew Park, Hartlepool, Britain on August 20, 2021. (Photo by Lee Smith/Reuters)

People take pictures of the sun rising next to the buildings of the banking district in Frankfurt, Germany, Saturday, December 28, 2019. (Photo by Michael Probst/AP Photo)

The sunrise at Boscombe beach at Bournemouth in Dorset, southwest United Kingdom on February 23, 2021. (Photo by Steve Hogan/pictureexclusive.com)

A competitor shows her nails during the Tokyo Nail Expo 2009 at Tokyo Big Sight on November 30, 2009 in Tokyo, Japan. (Photo by Junko Kimura/Getty Images)

A man walks with a Cyberdog, produced by Chinese tech company Xiaomi, on February 19, 2022 in Beijing, China.The quadruped robots, often owned by tech and robotic enthusiasts, do not have a specific purpose so far, but the open source nature of the robots could make them suitable for several applications in the future. (Photo by Andrea Verdelli/Getty Images)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)

“Ashes and Snow by Canadian artist Gregory Colbert is an installation of photographic artworks, films, and a novel in letters that travels in the Nomadic Museum, a temporary structure built exclusively to house the exhibition. The work explores the shared poetic sensibilities of human beings and animals”. – Wikipedia. (Photo by Gregory Colbert)