Visitors look on as a man (front) inserts two live snakes through his nose and mouth during a performance at an amusement park to celebrate the 65th anniversary of the founding of the People's Republic of China and the 7-day national day holiday, in Jinhua, Zhejiang province October 1, 2014. (Photo by Reuters/Stringer)

Flying pigeons pass over Nepalese street vendors near the earthquake damaged UNESCO World Heritage Site, Durbar Square in Kathmandu on May 20, 2015. Nearly 8,500 people have now been confirmed dead in the disaster, which destroyed more than half a million homes and left huge numbers of people without shelter with just weeks to go until the monsoon rains. (Photo by Ishara S. Kodikara/AFP Photo)

Wednesday March 8 marks International Women's Day, with festivals, concerts and exhibitions among the numerous events planned around the world to celebrate the achievements of women in society. The annual event has been held since the early 1900s and traditionally promotes a different theme each year, with this year's edition calling on people to #BeBoldForChange and push for a more gender-inclusive working world. Reuters photographers have been speaking with women in a range of professions around the world about their experiences of gender inequality. Here: Yolaina Chavez Talavera, 31, a firefighter, poses for a photograph in front of a truck at a fire station in Managua, Nicaragua, February 22, 2017. (Photo by Oswaldo Rivas/Reuters)

A reveler wearing sheepfur costume is seen in front of a bonfire on which they burn a coffin symbolizing winter during the closing ceremony of the traditional carnival parade in Mohacs, 189 kms south of Budapest, Hungary, 07 February 2016. The carnival parade of people, the so-called busos, dressed in such costumes and frightening wooden masks, using various noisy wooden rattlers is traditionally held on the seventh weekend before Easter to drive away winter, and is a revival of a legend, which says that ethnic Croats ambushed the Osmanli Turkish troops, who escaped in panic seeing the terrifying figures during the Turkish occupation of Hungary. (Photo by Tamas Soki/EPA)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.