“Shortly after he arrived, Van Agtmael witnessed the aftermath of this suicide bombing at a cafe that soldiers frequented in Mosul. Nine people died and 23 were wounded”. (Photo and caption by Van Agtmael/Harrison Jacobs/Magnum Photos)

Canada Women's Eight throw coxwain Kristen Kit into the water after winning gold in the Women's Eight final at the Sea Forest Waterway during the 2020 Tokyo Summer Olympic Games in Tokyo, Japan on July 30, 2021. (Photo by Piroschka van de Wouw/Reuters)

Wildlife photographer Kevin Fleming has covered the world as a photographer for National Geographic and has been recognized America’s Best Observer by Readers Digest. His assignments have taken him into war and famine in Somalia, to the Mediterranean for a re-creation of the voyage of Ulysses and put him on a dogsled crossing the Canadian arctic. Now Kevin is working on his 27th book. Here: Red fox kits look out from a hollow log. (Photo by Kevin Fleming)

A girls’ Friday night out on the town, in Bristol, England, 2009. As in most big cities in the UK, around the weekend you see women with very minimal clothing on, wandering around regardless of the temperature. (Photo by Martin Parr/Magnum Photos)

Tattooist Jay Freestyle, who is based in Amsterdam, creates what only can be described as works of art that last forever on his clients' skin. His style is freehand – without any sketch or stencil and he inks the incredible drawings straight onto body parts. They might look expertly planned, but the swashes of colour, detailed line work and geometric shapes are all the result of some clever improvisation. Photo: An amazing example of his mixed style. (Photo by Jay Freestyle/360 Media Solutions)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.