Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

Tuvalu Beneath the Rising Tide by Sean Gallagher, Tuvalu. Changing environments prize: Fallen trees lie on a beach as the waves from the Funafuti lagoon in Tuvalu lap around them. Land erosion has always been a problem for the South Pacific country but problems are intensifying as sea levels rise. Rising seas are on the verge of completely submerging the tiny archipelago’s islands. (Photo by Sean Gallagher/CIWEM Environmental Photographer of the Year 2019)

Tourists pose with pigeons in the flooded St. Mark's Square in Venice, on November 7, 2014. The high water, a combination of high tides and a strong Scirocco wind in the Adriatic Sea, stood at 110 centimeters early on November 7. The city has for years been wrestling with the problems posed by the threat of rising sea levels. (Photo by Olivier Morin/AFP Photo)

“Environmental Migrants: The Last Illusion” by photographer Alessandro Grassani, documents the life of people in Kenya, Mongolia and Bangladesh who migrate to escape environmental stresses to the city of their own countries in hopes for a better life. Here: Asia, Mongolia, March 27, 2011. A view of Ulaan Baator over the shoulder of a slumbering drunk. Alcoholism is a huge problem in the city, home to almost half of Mongolia's people. The capital's population has doubled in the past two years. High levels of unemployment and poverty await herders who abandon rural areas and arrive in the city, illiterate and untrained in any skills necessary for urban jobs. (Photo by Alessandro Grassani)

A grey-bellied Night Monkey (Aotus Lemurinus) plays with a teddy bear at the veterinary clinic of the Cali Zoo in Cali, Colombia on January 27, 2020. They monkey is being raised by personnel of the Cali Zoo after a worker found it near the complex. Apparently it fall from a tree with his father who had health problems. (Photo by Luis Robayo/AFP Photo)

A woman reacts after performing Otonamaki, which translates as “adult wrapping”, a new form of therapy where people are wrapped in large swaddling cloth to alleviate posture problems and stiffness, at a session in Asaka, Saitama prefecture, Japan, February 4, 2017. (Photo by Toru Hanai/Reuters)

Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)

“The most serious health problem in the U.S. today is obesity.” Sounds familiar, doesn’t it? But that pronouncement about obesity’s primacy in the hierarchy of national health problems is not new. Rather, it’s the opening line to a remarkable article published 60 years ago in LIFE magazine. This photographs made by Martha Holmes to illustrate that March 1954 article, titled “The Plague of Overweight.” Photo: Dorothy Bradley (left), photographed for LIFE magazine article on obesity, 1949. (Photo by Martha Holmes/Time & Life Pictures)