A model presents a creation by Moroccan designer Fadila El Gadi during a fashion show in Rabat on May 30, 2023. (Photo by Fadel Senna/AFP Photo)

A Shiite fighter from the Hashed al-Shaabi (Popular Mobilisation) patrols in the village of Ayn Nasir, south of Mosul, on October 29, 2016, after recapturing it from Islamic State group jihadists in an ongoing operation to retake the city of Mosul. Iraqi paramilitary forces launched an operation to cut the Islamic State group's supply lines between its Mosul bastion and neighbouring Syria, opening a new front in the nearly two-week-old offensive. (Photo by Ahmad Al-Rubaye/AFP Photo)

Members of the Moroccan Royal Armed Forces Rescue and Relief Unit take part in a biochemical simulation organized by the US Defense Threat Reduction Agency (DTRA) as part of the “African Lion” military exercise, in the port of Agadir, on June 15, 2021. (Photo by Fadel Senna/AFP Photo)

A Berber Moroccan woman, wearing traditional outfits, parades during the “Miss Rose” beauty contest as part of the yearly Rose Festival on May 13, 2016 in the town of Kelaat Mgouna, at the foot of the High Atlas Mountains in Morocco. (Photo by Fadel Senna/AFP Photo)

Women take part in the desert trek “Rose Trip Maroc”, on November 1, 2019 in the erg Chebbi near Merzouga. The Rose Trip Maroc is a female-oriented trek where teams of three must travel through the southern Moroccan Sahara desert with a compass, a map and a topographical reporter. (Photo by Jean-Philippe Ksiazek/AFP Photo)

A tear rolls down the cheek of Karima el-Mahroug, also known as Ruby, a Moroccan woman at the center of ex-Premier Silvio Berlusconi's s*x-for-hire trial, as she reads a statement to reporters during a protest outside the court house, in Milan, Italy, Thursday, April 4, 2013. The Moroccan woman at the center of ex-Premier Silvio Berlusconi's s*x-for-hire trial has denounced what she says is psychological warfare being waged against her by Italian prosecutors. Ruby, read out a lengthy statement Thursday to a gaggle of reporters in front of Milan's courthouse denying she was a prostitute and insisting that prosecutors hear her side of the story. (Photo by Luca Bruno/AP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.