A performer wears a face shield at a shopping center on New Year's Eve during the coronavirus disease (COVID-19) outbreak, in Bangkok, Thailand on December 31, 2020. (Photo by Soe Zeya Tun/Reuters)

A participant jumps trying to control a bull during the annual bull taming “Jallikattu” festival in Palamedu village on the outskirts of Madurai in the southern Indian state of Tamil Nadu on January 16, 2020. (Photo by Arun Sankar/AFP Photo)

Egyptian 26-year-old dancer Nadine El Gharib, dances on the rooftop of her home in Cairo, Egypt, Monday, September 27, 2021. “Dance was crucial when COVID-19 started in terms of taking care of my well-being”, Gharib said. “When restrictions forced us to stop going to the Opera for classes I started online dance and it introduced me to a new world of dance. It was very inspiring”. (Photo by Nariman El-Mofty/AP Photo)

A girl carries bottles of water filled from a charity tank at a camp for internally displaced people (IDPs) near Sanaa, Yemen on March 25, 2022. (Photo by Khaled Abdullah/Reuters)

A sunflower “smiles” in a field in Tokyo on August 7, 2014. Some 20,000 sunflowers were enjoyed by visitors to the area this week. (Photo by Yoshikazu Tsuno/AFP Photo)

62-year-old Count Scarpa, a quirky millionaire from Sao Paolo, Brazil, announced he has decided to do like the pharaohs and entomb his $500,000 Bentley Continental Flying Spur in his back garden, on Monday, via Facebook.

Nuns light candles during the Catholic Washing of the Feet ceremony during Easter Holy Week in the Church of the Holy Sepulchre in Jerusalem's Old City on March 28, 2024. (Photo by Ronen Zvulun/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)