Viagra Boys – Ain't Nice. Viagra Boys are a Swedish post-punk band from Stockholm. In 2018, they released their first album, Street Worms. Nils Hansson, a journalist at the newspaper Dagens Nyheter described the band favorably, praising their musical style, as well as their use of black humor and satire, and rated the album a five out of five. In 2019, the band won the Independent Music Companies Association (IMPALA) Album of the Year Award for Street Worms.

Australia-based photographer Birte Person wasn't quite as afraid. With the safety of distance, she was brave enough to capture these stunning shots of the rare animals during feeding time at the Singapore Zoo.

Alexandre Vinokourov of Kazakhstan from the T-Mobile Team is chased by eccentric german inventor Didi Senft dressed as the red devil during the stage 16 of the 92nd Tour de France between Mourenx and Pau on July 19, 2005, France. (Photo by Friedemann Vogel/Bongarts/Getty Images)

In preparation for the Dubai Duty Free Men's Open, Andre Agassi and Roger Federer of Switzerland, couldn't resist the temptation to have a friendly “hit” on the world's most unique tennis court, the Helipad of the Burj Al Arab, the world's most luxurious hotel. Standing 321 metres high on a man made island, the majestic Burj Al Arab is without doubt the most recognizable hotel in the world. The hotel's helipad, which is situated 211 metres high covers a surface area of 415 square metres. The pictures were taken on February 22, 2005, in Dubai, United Arab Emirates. (Photo by Getty Images for Dubai Duty Free)

Tourists use a selfie stick on the Trocadero Square, with the Eiffel Tower in background, in Paris, Tuesday, January 6, 2015. Selfie sticks have become popular among tourists because you don't have to ask strangers to take your picture, and you can capture a wide view in a selfie without showing your arm. But some people find selfie sticks obnoxious, arguing that they detract from the travel experience. (Photo by Remy de la Mauviniere/AP Photo)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.