A boy uses a mobile phone as he sits inside his father's snacks shop along a road in Kolkata, India, February 22, 2016. (Photo by Rupak De Chowdhuri/Reuters)

A boy runs next to a portrait of Thailand's King Bhumibol Adulyadej, placed in celebration of the King's 88th birthday, in Bangkok, Thailand, December 5, 2015. (Photo by Jorge Silva/Reuters)

A rescue worker holds an injured boy after what activists said were airstrikes carried out by the Russian air force in Idlib city, Syria December 20, 2015. (Photo by Ammar Abdullah/Reuters)

A boy plays at the feet of a statue of former South African President Nelson Mandela on Nelson Mandela Square in Sandton, Johannesburg, South Africa, on October 29, 2024. (Photo by Esa Alexander/Reuters)

Zombie Boy, who holds a Guinness World Record for most bones inked on a human body, gave Londoners a fright on October 5, 2016 as he was spotted at commuter hotspots across the capital to promote Thorpe Park’s new Halloween attraction. Canadian born Zombie Boy has 90% of his body covered in tattoos with a value of over $20,000 in total, including an entire skeleton and skull on his face, visited Canary Wharf, Oxford Street and Soho. (Photo by Rex Features)

Ahmad Sayed Rahman, a five-year-old Afghan boy who lost his right leg when he was hit by a bullet in the crossfire of a battle, dances with his prosthetic leg at the International Committee of the Red Cross (ICRC) hospital for war victims and the disabled, in Kabul on May 7, 2019. (Photo by Wakil Kohsar/AFP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)