Chinese paramilitary guards monitoring passengers as they head to their train to travel to their hometowns for the “Spring Festival” or Lunar New Year at Nantong Railway Station in Jiangsu province, near Shanghai Travellers taking part in the world' s largest annual human migration must be home by January 27 to usher in the new year on January 28. (Photo by AFP Photo/Stringer)

This image obtained January 31, 2017 from the US Geological Survey's Hawaiian Volcano Observatory showing a lava stream, pouring out of the lava tube on the sea cliff at the Kamokuna ocean entry from the Kilauea Volcano on January 29. (Photo by AFP Photo/USGS)

In this photo taken on February 21, 2017, shooting instructor Kim Su- Ryon poses for a portrait at the Meari Shooting Range in Pyongyang Kim is holding a “Paektusan” target pistol, gifted by late North Korean leader Kim Il- Sung. Visitors to the range can pay 10 USD to shoot ten rounds. (Photo by Ed Jones/AFP Photo)

Cairo-based artist Chanel Arif's paints for her art project called After Dinner that uses humans and their surroundings as her canvas, in her gallery in the capital of Cairo, Egypt March 2, 2017. (Photo by Sherif Fahmy/Reuters)

A girl is splashed with water by boys following a Polish Wet Easter Monday tradition, in Wilamowice, Poland, Monday, April. 17, 2017. (Photo by Jarek Praszkiewicz/AP Photo)

A swimmer disguised as Superman dives into the lake during the 78th “Coupe de Noel” (Christmas cup) swimming race in the Lake Geneva, on December 18, 2016 in Geneva. More than 1800 participants took part in the event, a 12-meter-long swimming off the Geneva's bank in the 7 degrees Celsius cold water. (Photo by Fabrice Coffrini/AFP Photo)

Snakes hang from a wooden cabinet marked with the Chinese characters “poisonous snake”, at a snake soup shop ahead of the Spring Festival in Hong Kong January 29, 2013. (Photo by Bobby Yip/Reuters)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)