A doll, placed by stranded Iranian migrant protesters, hangs from barbed wire in front of Madedonian police at the Greek-Macedonian border near to the Greek village of Idomeni November 29, 2015. The protesters were demonstrating against what they say is the closure of the border for Iranian migrants. According to the demonstrators, the hanging toys and dolls represent the outcome of being unable to return, if they are sent back to Iran. (Photo by Yannis Behrakis/Reuters)

An echidna light sculpture eating ants is displayed during a media preview of Vivid Sydney illuminated displays at Taronga Zoo on May 24, 2016 in Sydney, Australia. Vivid is lighting up at Taronga Zoo for the first time with ten giant animal sculptures representing critical species the zoo is committed to protecting. Held annually, Vivid Sydney is the world's largest festival of light, music and ideas running for 23 days. (Photo by Cameron Spencer/Getty Images)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Jo Jo performs at the Q102 s*xy Singles 2012 the at Hotel Palomar on January 26, 2012 in Philadelphia, Pennsylvania. (Photo by Gilbert Carrasquillo)