West Bromwich Albion's Saido Berahino (front) is challenged by Manchester City's Fernandinho during their English Premier League soccer match at The Hawthorns in West Bromwich, central England December 4, 2013. (Photo by Eddie Keogh/Reuters)

“On the Li River near Xingping in China, Cormorant fishermen work the waterways before dawn amidst the spectacular limestone towers of the Karst landscape. The birds are trained to fetch fish from the inky depths but not swallow them. The fisherman accepts the fish from the birds who dive back for more. Here, still before dawn, the fisherman and his birds head for home”. (Photo and caption by Neville Jones/2014 Sony World Photography Awards)

People look out at the city among 30,375 square feet of mirrors at SUMMIT One Vanderbilt in New York on May 22, 2024. The Parade of Ships is seen from SUMMIT One Vanderbilt in NYC as part of the Fleet Week Celebration events. (Photo by Timothy A. Clary/AFP Photo)

Sunset on Monday evening, June 17, 2024 at Mudeford in Dorset, UK with a swan stretching it's wings. (Photo by Cenk Albayrak-Touye/Picture Exclusive)

Seized plastic handguns which were created using 3D printing technology are displayed at Kanagawa police station in Yokohama, south of Tokyo, in this photo taken by Kyodo May 8, 2014. Yoshimoto Imura became the first man to be arrested in Japan for illegal possession of two guns he created himself using 3D printing technology, Japanese media said on Thursday. The 27-year-old, a college employee in the city of Kawasaki, was arrested after police found video online posted by Imura claiming to have produced his own guns. Gun possession is strictly regulated in Japan. Police raided Imura's home and found five guns, two of which could fire real bullets, Japanese media said. (Photo by Reuters/Kyodo)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

Workers carry a metal sheet at a dockyard in Dhaka, Bangladesh, December 5, 2018. (Photo by Mohammad Ponir Hossain/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)