People mourn next to the body of Muddasir Khan, who was wounded on Tuesday in a clash between people demonstrating for and against a new citizenship law, after he succumbed to his injuries, in a riot affected area in New Delhi, February 27, 2020. (Photo by Adnan Abidi/Reuters)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

“Alice in Waterland” is a beautiful series of photographs re-imagining the Lewis Carroll classic underwater. It’s a creation of photographer Elena Kalis, who lives on a small island in The Bahamas, surrounded, she says, “by pristine clear warm water. Underwater is where I spend a lot of time; snorkeling, diving, photographing. It is fascinating how the world changes down below: light, sound, gravity and proportions are different from what we are used to”. (Photo by Elena Kalis)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

A Libyan fireman stands in front of smoke and flames rising from an oil storage tank at an oil facility in northern Libya's Ras Lanouf region on January 23, 2016, after it was set ablaze earlier in the week following attacks launched by Islamic State (IS) group jihadists to seize key port terminals. (Photo by AFP Photo/Stringer)

141 boxers’ by Danish visual artist and photographer Nicolai Howalt is a series of diptychs portraying boxers before and after their fight. Ranging from young boys to women, the collection of images delineates not only the brutal aftermath of a match but the more subtle changes in the subject’s physiology due to adrenaline, struggle, and the complex emotions that come with victory and loss.

Amal Amro, the Palestinian-Syrian owner, and an employee give a cat medicine at 'Amal Pets Hotel' in Arbil, the capital of Iraq's northern Kurdish autonomous region, on August 24, 2022. (Photo by Safin Hamed/AFP Photo)

A mountain hare shakes off rain from its fur, in Findhorn Valley, Moray, Scotland in the second decade of August 2024. In summer, the hare’s coat is a grey-brown colour with a tinge of blue, making them hard to spot against the heather moorland. In winter, it changes to almost completely white for camouflage in the snow. (Photo by Will Hall/Solent News)