Marcelo Maragni was born in Sao Paulo, Brazil. According to his mother’s idea, he was ment to be an architect in a quest of changing the world. Instead, he preferred to take possession of his father’s camera and learn another craft on his own.

In this October 29, 2013 photo, Daniel smokes marijuana inside his apartment where he uses a hydroponics system to grow his weed in Mexico City. “I'm not a narco, dude. I just like to smoke”, said Daniel, who spoke on condition that his last name not be used because, he said, his home-grow operation is "super-illegal" despite being for personal use only. (Photo by Eduardo Verdugo/AP Photo)

An elephant in Amboseli National Park in Kenya, June 2021. Gurcharan Roopra, 42, a Nairobi-born engineer-turned-wildlife photographer, has dedicated the past four years of his career to photographing these animals. He spends hours in his workshop camouflaging and encasing his equipment with protective gear before laying his camera in the path of lions, elephants, rhino, zebra and buffalo. (Photo by Gurcharan Roopra/Mercury Press)

Traditional Hungarian horsemen pose as one of them cracks his whip over his horse in the Great Hungarian Plain in Hortobagy, Hungary June 30, 2016. (Photo by Laszlo Balogh/Reuters)

Jacek Yerka is an amazing painter from Poland. His subject matter ranges from odd beasts to whimsical landscapes incorporating extraordinary architecture, and includes imagery gleaned from his childhood. I handpicked a few of his pieces so we can take a close look at his world of painting.

A boy covers his head with fallen leaves as he enjoys a stroll with his family in a park in downtown Frankfurt, Germany, November 6, 2016. (Photo by Kai Pfaffenbach/Reuters)

A man wades through flood waters carrying his grand daughter on his back following rains and floods during the monsoon season in Charsadda, Pakistan on August 28, 2022. (Photo by Fayaz AzizAziz/Reuters)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.