The bloodwood tree (Pterocarpus angolensis) is a deciduous tree with a high canopy, reaching about 15m in height and has dark bark. The red sap is used traditionally as a dye and in some areas mixed with animal fat to make a cosmetic for faces and bodies. It is also believed to have magical properties for the curing of problems concerning blood, apparently because of its close resemblance to blood. The name bloodwood for these trees stems from the dark red to brown sap that accumulates on wounds on the trunks.

Andrew Ferez, born and raised in Russia is an artist who inherited his creativity and interest in the arts early on and trained his artistic skills and knowledge ever since, in a never-ending process.
Andrew’s genre is a mix between macabre and horror with a poetic hint. His illustrations transports us into the deepest recesses of our mind, showing us impossible worlds that are both scary yet surprisingly familiar or enticing. Most of his artworks are two dimensional but in some of his latest artworks he used the help of some 3D software as well.

Freelance illustrator and graphic designer Aurélien Police was born in France in 1978. He has already worked and is currently working on projects for the music and publishing industries (book covers, CD design, children book illustrations). He uses computer as melting pot to mix up all sorts of raw materials, erasing the frontiers between all possible media so as to provide his pictures with a graphic finishing of his own. Flirting with various themes -often associated with fantasy, detective or supernatural- allows him to translate in pictures his own personal vision of those genres.

In this May 24, 2016 photo, a young boy descends the Qullqip'unqu mountain looking out at the tens of thousands of pilgrims gathered to celebrate the three-day festival Qoyllur Rit’i, translated from the Quechua language as Snow Star, in the Andean Sinakara Valley, in Peru's Cusco region. The celebration that mixes Catholic and indigenous beliefs honors Jesus as well as the area’s glacier, which is considered sacred among some indigenous people. While the native celebration is far older, the Christian part of the ritual stretches back to the 1700s, when Jesus is said to have appeared to a young shepherd in the form of another boy. (Photo by Rodrigo Abd/AP Photo)

In this Tuesday, December 20, 2016 photo, Mohammad Ramzan, right, reacts while talking to The Associated Press with his young bride Saima in Jampur, Pakistan. Saima was given as a bride to the older man by her father so he could marry the groom’s sister, a practice of exchanging girls that is entrenched in conservative regions of Pakistan. It even has its own name in Urdu: Watta Satta, “give and take”. A mix of interests – family obligations, desire for sons, a wish to hand off a girl to a husband – can lead to a young teen in an a marriage she never sought. (Photo by K.M. Chaudhry/AP Photo)

A Gnawa traditional group performs in the city of Essaouira on December 14, 2019, to celebrate the decision of adding the Gnawa culture to UNESCO's list of Intangible Cultural Heritage of Humanity. Gnawa culture, a centuries-old Moroccan practice rooted in music, African rituals and Sufi traditions, was added to UNESCO's list of Intangible Cultural Heritage of Humanity earlier in the week. Gnawa refers to a “set of musical productions, fraternal practices and therapeutic rituals where the secular mixes with the sacred”, according to the nomination submitted by Morocco. Often dressed in colourful outfits, Gnawa musicians play the guenbri, a type of lute with three strings, accompanied by steel castanets called krakebs. (Photo by Fadel Senna/AFP Photo)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

“The Ainu (アイヌ?), also called Aynu, Aino (アイノ), and in historical texts Ezo (蝦夷), are indigenous people or groups in Japan and Russia. Historically they spoke the Ainu language and related varieties and lived in Hokkaidō, the Kuril Islands, and much of Sakhalin. Most of those who identify themselves as Ainu still live in this same region, though the exact number of living Ainu is unknown. This is due to ethnic issues in Japan resulting in those with Ainu backgrounds hiding their identities and confusion over mixed heritages. In Japan, because of intermarriage over many years with Japanese, the concept of a 'pure Ainu' ethnic group is no longer feasible. Official estimates of the population are of around 25,000, while the unofficial number is upwards of 200,000 people”. – Wkipedia

Photo: A captive bear drinking from a large bottle held by an Ainu tribeswoman. (Photo by Evans/Three Lions/Getty Images). Circa 1955