The official name for this tiny speck of land – the size of 12 football pitches – is Hashima, but few call it that. In English, its most commonly used name means “Battleship Island” and, viewed from a certain angle offshore, its silhouette is uncannily dreadnought in nature. It was a mining facility until 1974, when it was abandoned to the elements, before partially reopening as a tourist attraction in 2009. Photo: A decades-old television. (Photo by Mark C. O'Flaherty)

A Hindu villager rides a motorcycle past an altar ahead of the annual Kasada festival at the Mount Bromo in Indonesia's East Java province, July 30, 2015. The Kasada festival will be held on August 1, when the worshippers throw offerings such as livestock and other crops into the volcanic crater of Mount Bromo to give thanks to the Hindu gods for ensuring their safety and prosperity. (Photo by Reuters/Beawiharta)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

Labourers who work nearby nap on a road as cars drive past in Chongqing Municipality, July 23, 2013. (Photo by Reuters/Stringer)

Artist Princess Tarinan von Anhalt throws paint into the flow of air coming from the engine of Flexjet’s Learjet 40 XR engine to create a painting on a canvas at Signature Flight Support in West Palm Beach, Florida. The artist associated with the Jet Art Group used the help of Flexjet and their plane to spray paint on a canvas to create distinctive paintings to celebrate the 50th anniversary of Learjet. (Photo by Thomas Cordy/The Palm Beach Post)

Jo-Anne McArthur’s book of photographs puts the spotlight on ethics of zoos around the world. Accompanied by essays by Born Free Foundation’s Virginia McKenna and philosopher Lori Gruen, the images and stories are also shared online through “A Year of Captivity”. Here: Asian Elephant, Denmark, 2016. (Photo by Jo-Anne McArthur/Born Free Foundation/The Guardian)

The carcass of a yacare caiman lies in the dried-up river bed of the Pilcomayo river in Boqueron, Paraguay, August 14, 2016. In Paraguay, alongside the Pilcomayo River, black vultures flew over a shrinking pond where a group of crocodilian reptiles known as yacare caimans sought refuge. Water from the river, which divides Paraguay and Argentina in the area of the Gran Chaco, was scarce. This is not an uncommon sight in the region of General Diaz, about 700 kilometres (435 miles) northwest of the country's capital Asuncion, where the Pilcomayo's waters form lakes and streams that give life to capybaras, birds and caimans. (Photo by Jorge Adorno/Reuters)