Two women cry in grief after armed assailants in a motorcycle shot their loved one in a main thoroughfare on July 23, 2016 in Manila, Philippines. The victim was an alleged drug peddler a claim disputed by his wife and maintained her husband is nothing more than a pedicab driver plying his trade when he was shot in front of her. Philippine President Rodrigo Duterte declared a war on crime and drugs after winning the presidential elections on May 9, 2016. President Duterte has recently been living up to his nickname, “The Punisher”, as Philippine police have been conducting night time drug raids on almost a daily basis. (Photo by Dondi Tawatao/Getty Images)

Tali Spira of Baltimore, Maryland lets the wind aid in her Flow Art style dance moves (using silk material and fans) at the Tidal Basin in Washington, D.C. on March 25, 2022. She danced amid the backdrop of the cherry blossom trees that were still at their peak. (Photo by Michael S. Williamson/The Washington Post)

That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

An Orthodox activist (Right) clashes with a gay rights campaigner during a protest outside of the State Duma, Russian Parliament's lower chamber, in downtown Moscow, January 22, 2013. (Photo by Ilya Pitalev/RIA Novosti)

An indigenous woman looks on during the Terra Livre (Free Land) camp, a protest-camp to defend indigenous land and cultural rights that they say are threatened by the right-wing government of Brazil's President Jair Bolsonaro, in Brasilia, Brazil on April 4, 2022. (Photo by Adriano Machado/Reuters)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)