A competitor calls with a shell at the German championships in Deer-Calling at the “Jagd & Hund” (hunting & dog) exhibition in Dortmund February 6, 2015. Competitors use specially designed instruments or ox horns to imitate the mating call of red deers. About 750 exhibitors will present their latest developments at the 34th “Jagd & Hund” exhibition, which runs from February 3 to February 8. (Photo by Ina Fassbender/Reuters)

A young man leaps across stellae at the Memorial to the Murdered Jews of Europe, also called the Holocaust Memorial, on January 26, 2012 in Berlin, Germany. (Photo by Sean Gallup/Getty Images)

A Saudi police officer receives emergency calls at a call center, ahead of the Hajj pilgrimage in the Muslim holy city of Mecca, Saudi Arabia, Tuesday, August 6, 2019. The hajj occurs once a year during the Islamic lunar month of Dhul-Hijja, the 12th and final month of the Islamic calendar year. (Photo by Amr Nabil/AP Photo)

An undated archive picture shows a dog pulling a Belgian machine gun at an unknown location in northern France. A Viscount in the Armoured Cavalry Branch of the French Army left behind a collection of hundreds of glass plates taken during World War One (WWI) that have never before been published. The images, by an unknown photographer, show the daily life of soldiers in the trenches, destruction of towns and military leaders. The year 2014 marks the 100th anniversary of the start of WWI. (Photo by Collection Odette Carrez/Reuters)

“A meteor streaked across the sky above Russia's Ural Mountains on Friday morning, causing sharp explosions and injuring more than 500 people (20 had been hospitalized in serious condition), many of them hurt by broken glass. “There was panic. People had no idea what was happening. Everyone was going around to people's houses to check if they were OK”, said Sergey Hametov, a resident of Chelyabinsk, about 1500 kilometres (930 miles) east of Moscow, the biggest city in the affected region”. (Photo by Alexey Bulaew/RIA Nowosti)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)