Syrian refugee girl Nur El-Huda, 9, shows a drawing of her home in Syria, in her classroom in Yayladagi refugee camp in Hatay province near the Turkish-Syrian border, Turkey, December 16, 2015. Syria's conflict has left hundreds of thousands dead, pushed millions more into exile, and had a profound effect on children who lost their homes or got caught up in the bloodletting. The drawings of young refugees living in Turkey show their memories of home and hopes for its future. The pictures also point to the mental scars borne by 2.3 million Syrian refugees living in Turkey, more than half of them children. (Photo by Umit Bektas/Reuters)

Michael Pankratz’s intriguing works focus specifically on the feet of tarantulas – an appendage that many have perhaps never focused on. The extreme close-ups of tarantulas’ “paws” show fine, colourful hairs, and sharp claws. Here: Brachypelma albopilosum, foot detail. (Photo by Michael Pankratz/Caters News Agency)

Hannah Maule-ffinch, “Wild Swimmers”, 2020, Hinksey Lake, Oxfordshire. Category: People. The series Wild Swimmers explores how humans are strongest when coming together in the face of adversity. In this photo, Emma and Emma have an amazing bond and friendship, built through their daily ritual of cold swimming in often bracing conditions. (Photo by Hannah Maule-ffinch/Earth Photo 2022)

“Scott Linstead is an internationally published, freelance wildlife photographer/writer. His clients include Natural History Magazine, Hewlett Packard, Ranger Rick Magazine and a number of wildlife publications in North America and Europe. Scott's column on the techniques of bird photography appears in every issue of Outdoor Photography Canada”.

Photo: A veiled chameleon extends its tongue to catch a cricket. Canadian wildlife photographer Scott Linstead, formerly an aerospace engineer and high school teacher, uses a device called Phototrap “to not only photograph the elusive, but also the unimaginably quick”. (Photo by Scott Linstead)

Girls dressed in “Hanfu”, or Han clothing, prepare for an event to mark the traditional Qixi festival, the Chinese equivalent of Valentine's Day, at a park in Beijing, China, August 7, 2019. Chinese for “Han clothing”, “Hanfu” is based on the idea of donning costumes worn in bygone eras by China's dominant Han ethnicity. Some of the most popular styles are from the Ming, Song and Tang dynasties. Hanfu enthusiasts doubled to two million in 2018 from a year earlier, according to a survey by Hanfu Zixun, a popular community account on the Wechat social media platform. (Photo by Jason Lee/Reuters)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.