A participant, called a musher, races in the 33rd Aviemore Sled Dog Rally in Aviemore, Scotland January 23, 2016. The Siberian Husky Club of Britain is holding its annual sled dog rally over the weekend. (Photo by Russell Cheyne/Reuters)

Victor Castillo is a Chilean painter currently residing in Los Angeles, California. He was born in Santiago, Chile in 1973.

People celebrate on a street in the neighborhood of Born, as the state of emergency decreed by the Spanish Government to prevent the spread of the coronavirus disease (COVID-19) gets lifted in Barcelona, Spain, May 9, 2021. (Photo by Nacho Doce/Reuters)

A fox cub gets up to mischief in a garden in Halifax, West Yorkshire on May 10, 2022. The homeowners say a family of foxes visit regularly from their nearby den. (Photo by Steve Midgley/Solent News)

While most people head for cover at the first sign of a storm, this man runs straight toward it. Storm chaser and father of three Mike Olbinski is addicted to photographing extreme weather and regularly takes on tornadoes and supercell thunderstorms in a bid to capture extraordinary images. The photographer, from Phoenix, often travels hundreds of miles a day to reach the eye of a storm. He first became hooked on the unusual hobby almost a decade ago, following the birth of his daughter. Here: A stunning monsoon sunset coupled with intense lightning creating an amazing scene on August 26, 2017. (Photo by Mike Olbinski/Caters News Agency)

National Geographic has created “Air, Land & Sea: the 50 greatest wildlife photographs” exhibition. Here: CT4 Crocodile cave on the Salamat river. Set up with Nathan Williamson last chip rain came while we were with the nomads. (Photo by Michael Nichols/National Geographic)

A hot air balloon floats past an almost full rising moon on a warm fall evening near Encinitas, California October 5, 2014. (Photo by Mike Blake/Reuters)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.