“As is probably stated somewhere in the theory of infinity, if you give an infinite amount of monkeys an infinite number of old-timey Polaroid cameras, one will eventually take “artistic” blurry photos of historical sites in Moscow which will then be auctioned at Sotheby's for an estimated $75,000 – $100,000. Fortunately for every simian art fan with a spare $100k, we are currently living in the very universe in which that concept is reality. Eighteen photographs by – and of – Mikki The Chimpanzee are going to auction on June 5, 2013”. – Callie Beusman via Jezebel.com. (Photo by Guzelian)

Team McLaren Mercedes drivers Lewis Hamilton (L) and Jenson Button unveil the new MP-27 Formula 1 car at the McLaren technology centre on February 1, 2012 in Woking, England. (Photo by Mark Thompson/Getty Images)

Two girls in cosplay dresses walk in the street in Beijing on March 27, 2017. (Photo by Fred Dufour/AFP Photo)

Bella Thorne out and about, Los Angeles, USA on June 14, 2017. (Photo by Broadimage/Rex Features/Shutterstock)

Rihanna and Drake perform at the BRIT Awards at the O2 arena in London, Britain, February 24, 2016. (Photo by Stefan Wermuth/Reuters)

The Taal Volcano in the central Philippines boomed to life on Sunday, January 12, 2020 spilling ash and causing evacuations in nearby communities – and officials warn that a more powerful eruption is imminent. One of the world’s smallest volcanoes, Taal is among two dozen active volcanoes in the Philippines, which lies along the so-called Pacific Ring of Fire, a seismically active region that is prone to earthquakes and volcanic eruptions. (Photo by Kester Ragaza/Pacific Press/Rex Features/Shutterstock)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)