Oscar Ramos is a designer based out of Santiago, Chile with his main focus being Illustration/character design along with photo manipulations and digital arts. Today on The Design Chimp we are highlighting some of the amazing character and illustration designs by Oscar Ramos.

(L-R), Pilot Gregory H. Johnson, European Space Agency astronaut Roberto Vittori, Mission Specialist Greg Chamitoff, Commander Mark Kelly, Pilot Gregory H. Johnson, Mission Specialist Michael Fincke, and Mission Specialist Andrew Feustel, participate in a Terminal Countdown Demonstration Test (TCDT), at the Kennedy Space Center, on April 1, 2011 in Cape Canaveral, Florida. The TCDT will culminate in a full dress rehearsal for the planned April 19th launch of Space Shuttle Endeavour’s final scheduled flight to the International Space Station before being retired. (Photo by Mark Wilson/Getty Images)

Advanced Space Suit Engineer at NASA Kristine Davis wears the xEMU prototype space suit for the next astronaut to the moon by 2024, during its presentation at NASA headquarters in Washington, U.S., October 15, 2019. (Photo by Carlos Jasso/Reuters)

“Wernher Magnus Maximilian Freiherr von Braun (March 23, 1912 – June 16, 1977) was a German-born rocket scientist, aerospace engineer, space architect, and one of the leading figures in the development of rocket technology in Nazi Germany during World War II and, subsequently, the United States”. – Wikipedia

Photo: German-born American engineer Dr. Wernher von Braun with a model of the Explorer orbiting space satellite which he designed. (Photo by Keystone/Getty Images). 1958

Los Angeles based MizEnScen is obsessed with doing this. This very cryptic artist is a digital collage/illustration artist who cuts and pastes what looks like imagery from old, forgotten academic texts. She takes them and layers them atop of each other to make sometimes silly portraits to beautifully textured florals growing out of bones.

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.