A women drink outside the disco bar on September 18, 2020 in Wuhan, Hubei province, China. As there have been no recorded cases of community transmission in Wuhan since May, life for residents is returning to normal. (Photo by Getty Images)

Models prepare backstage ahead of the “Romance Was Born” show during Afterpay Fashion Week Australia Resort 22 Collections at Carriageworks on May 31, 2021 in Sydney, Australia. (Photo by Jessica Hromas/The Guardian)

A worker repairs fishing nets, which can stretch to more than 20 metres in length, in Sakon Nakhon, Thailand on August 12, 2021. (Photo by Chanwit Wanset/Solent New)

A woman poses for a photo in front of an installation to promote the film “Godzilla Minus One”, which won the Oscar for best visual effects at the Academy Awards in Los Angeles, outside a popular shopping centre and official development in the Hibiya area of Tokyo on March 11, 2024. (Photo by Richard A. Brooks/AFP Photo)

Festival goer with phallus logo t-shirt during the Kanamara Matsuri Steel Phallus Festival at Kawasaki, Japan on April 2, 2017. The Kanamara Matsuri or Festival of the Steel Phallus is held on the first Sunday of April at the Kanayama shrine. The shrine celebrates a legend of a steel pen*s and was frequented by prostitutes who wished to pray for protection from sexually transmitted diseases. Visitors now wish for easy delivery, marriage and matrimonial harmony. Because of the large steel phallus the unusual festival has become a tourist attraction attracting many overseas visitors and is used to raise money for HIV charities. Phallus shaped candy, carved vegetables, decorations, and a big parade are all part of the festival. (Photo by DELETREE/SIPA Press/Rex Features/Shutterstock)

Dancers from Kyiv and Dnipro preparing themselves in the wings for a performance at the Kyiv National Opera House on June 24, 2022. (Photo by Julian Simmonds/The Guardian)

Performers dressed as zombies arrive to the pier of the Excelsior Hotel on September 6, 2021 during the 78th Venice Film Festival at Venice Lido. (Photo by Yara Nardi/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)