Emma Raducanu of Great Britain takes a selfie after victory over Stephanie Voegele of Switzerland in the first round of the women's singles of the US Open at the USTA Billie Jean King National Tennis Center on August 31, 2021 in New York City. (Photo by Rex Features/Shutterstock)

People wearing loin cloths pray after they bathe in ice-cold water outside the Teppozu Inari shrine in Tokyo, Japan, January 8, 2017. (Photo by Toru Hanai/Reuters)

Gold medallist Kayla DiCello of the U.S. celebrates on the podium after winning the women's all-around final alongside silver medallist Brazil's Flavia Saraiva and bronze medallist Jordan Chiles of the U.S. at the Pan Am Games in Santiago, Chile on October 23, 2023. (Photo by Agustin Marcarian/Reuters)

Women in traditional costumes wait for a statue of the El Carmen Virgin to be carried into the sea during a procession in Malaga July 16, 2015. Many seaside towns celebrate the annual feast of the El Carmen Virgin, who is worshipped as the patron saint of sailors. (Photo by Jon Nazca/Reuters)

A baby elephant eats in a swamp in Amboseli national park, Kenya, March 19, 2017. (Photo by Goran Tomasevic/Reuters)

A patient solves a rubik's cube at a temporary hospital converted from “Wuhan Livingroom” in central China's Hubei Province on February 10, 2020. In face of the outbreak of the novel coronavirus pneumonia epidemic, Wuhan authorities have transformed public venues such as exhibition centers and gymnasiums into temporary hospitals. The hospitals have a large capacity of treating patients with mild symptoms and play an important role in isolating the source of infection and cutting off the routes of infection during epidemic prevention. The first batch of patients was hospitalized on Feb. 5. (Photo by Chine Nouvelle/SIPA Press/Rex Features/Shutterstock)

A student takes part in Tamil New Year and Vishu celebrations in Chennai on April 13, 2022. (Photo by Arun Sankar/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)