Cotswold gamekeeper shoots amazing pictures of British wildlife – without the aid of long lenses and elaborate techniques. The photos may look like they have been shot from miles away – but amazingly Adam Tatlow is actually just feet away from his wild subjects. Photo: Young fawn shelters in the wood. He is so at one with nature that he knows how to call animals to him, and often gets within 30ft of them. (Photo by Adam Tatlow/BNPS)

Without mincing words we would like to present a feature: Self-Publishing, let's call it Samizdat. :-) Sure we aren't Flickr, StumbleUpon or add_whatever_you_like, we're really small in comparison with these giants but we have constant, very attentive and grateful audience. All we can offer you is a place on the main page and attention of all our visitors to your posts, the things that are hard to achieve on numerous social services. Who knows, maybe tiny and humble indie project like AvaxNews will be much more helpful in searching of your audience than facebook for example. %-)

A competitor takes part in the 31st World Bog Snorkelling Championships, held annually at Llanwrtyd Wells in Wales, Britain August 28, 2016. Entrants must negotiate two lengths of a 60-yard trench through the peat bog in the quickest possible time without using any conventional swimming strokes. (Photo by Rebecca Naden/Reuters)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)

Eight year-old Maya Mohammad Ali Merhi walks using prosthetic legs made by her father from tin cans in a camp for displaced people, in the northern Syrian province of Idlib on June 20, 2018. Maya and her father were both born without lower limbs. Unable to afford real prosthetic limbs, her father made her a pair out of tin cans filled with cotton and scrap pieces of cloth. Maya's family had to leave their home in the Aleppo province to flee battles. (Photo by Aaref Watad/AFP Photo)

In this Tuesday, August 2, 2016 photo released by Xinhua News Agency, people stand on a platform as the Transit Elevated Bus TEB-1 conducting a test run after it unveiled in Qinhuangdao, north China's Hebei Province. The 72-feet long and 25-feet wide Transit Elevated Bus (TEB) powered by electricity can carry more than hundreds passengers, is designed to go over the normal traffic to help ease traffic congestion without having to dig new tunnels or build elevated rail tracks. (Photo by Luo Xiaoguang/Xinhua via AP Photo)

“Models decorated with glow-in-the-dark paint manage to stand out in a new series of pictures shot in the dark. Its well known that capturing beautiful photos without natural light is a tricky undertaking even for the most talented photographers but Hid Saib Neto has found a way to make the most of the darkness. The 26-year-old Brazilian photographer covered the group of models in neon paint before illuminating them with just a single ultra-violet light”. – Caters News. Photo: A model wearing the neon make up. (Photo by Hid Saib Neto/Caters News)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.