A man paddleboards during a sunrise on the beach in Miami Beach, Florida, on March 23, 2021. (Photo by Chandan Khanna/AFP Photo)

A pigeon rests on a wild iguana in a tree inside Seminario Park in Guayaquil, Ecuador, Thursday, April 3, 2014. Pigeons coexist with the wild iguanas at this park in the middle of the city surrounded by savannah. (Photo by Dolores Ochoa/AP Photo)

A woman sits as she gets a tattoo on her leg during the annual Panama City Ink Fest in Panama City August 16, 2015. (Photo by Carlos Jasso/Reuters)

This September 22, 2014 photo, shows a building with street art murals in the Santurce neighborhood in San Juan, Puerto Rico. (Photo by Ricardo Arduengo/AP Photo)

“Catasta” wearing a latex hexus costume poses in the grounds of St Mary's Church during the “Whitby Goth Weekend”, North Yorkshire, on November 2, 2014. The event grew out of the punk scene in 1984 with its own style of music and fashion. The event in Whitby now attracts Goths from all over Europe and creates over 1 million pounds in revenue for local busnisess. (Photo by Anna Gowthorpe/PA Wire)

A wedding couple poses for a photographer during a wedding photo shoot March 9, 2011 in Hanoi, Vietnam. Its is traditional for middle and upper class Vietnamese couples do a wedding fashion shoot posing for wedding portraits a few weeks before the wedding so that a wedding photo book is produced. (Photo by Paula Bronstein /Getty Images)

Iceland horses play on a meadow of a stud farm in Obernhain near Frankfurt, Germany, as the sun rises Thursday, July 23, 2020. (Photo by Michael Probst/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)