Photographer Frank Relle takes long-exposure images of houses in New Orleans. Says Relle, “The city at night comes alive for me. I imagine stories about the people’s lives inside the homes based on the evidence on the outside. My photographs become a portrait without the person. The night obscures details and the lack of information gives possibility”. Photo: “Telemachus”. Farragut Street, New Orleans, La. Nov. 2006. (Photo by Frank Relle)

“Bombay’s once ubiquitous Premier Padmini taxis were introduced in the 60s and are dwindling at an alarming rate. This follows a decree banning vehicles over 25 years old from the streets to be replaced with “modern alternatives”. In a few years these iconic workhorses will be gone from Bombay’s streets altogether. It is important to capture this before it disappears and I see the road wallah's cabs as the time capsules that allow me to do this”. – Dougie Wallace, Bombay India, March, 2013. (Photo by Dougie Wallace)

“After taking LSD. I lighting up a candle in the middle of the wood and during the 30 secondes of exposure, i make a meditation about the holism of nature surrounding me. Feeling the crystal vibration irradiating from the center of the Gaia mother earth. So in this picture i try to show you the magic, sacred metaphysical quality of the nature and new age bullshiting you”. – Benoit Paillé. (Photo by Benoit Paillé)

Potoos (family Nyctibiidae) are a group of near passerine birds related to the nightjars and frogmouths. They are sometimes called Poor-me-ones, after their haunting calls. There are seven species in one genus, Nyctibius, in tropical Central and South America.
These are nocturnal insectivores which lack the bristles around the mouth found in the true nightjars. They hunt from a perch like a shrike or flycatcher. During the day they perch upright on tree stumps, camouflaged to look like part of the stump. The single spotted egg is laid directly on the top of a stump.

A graffiti, portraying a woman, is seen in Medellin, Colombia on November 19, 2017. Mural graffitis from different artists, street art can be seen in almost every city on Earth, but street arts raw power and potential for change was felt by me most intensively in Medellins Comuna 13, previously one of Colombias most dangerous neighbourhoods, in fact Communa 13 was constant battleground between gangs, narcos, paramilitaries and the government, but today you would hardly recognise it. (Photo by Juancho Torres/Anadolu Agency/Getty Images)