In this May 21, 2021, file photo, JoJo Hamner, a cast member of the “Sexxy After Dark: Where Dinner Meets Play” show, gets the Pfizer COVID-19 vaccine during a pop-up vaccine clinic at Larry Flynt's Hustler Club in Las Vegas. It's one of several methods health officials are employing here and across the country to bring vaccines directly to people to counter waning demand. In tiny towns, ballparks, strip clubs, and marijuana dispensaries, officials are setting up shop and offering incentives to entice people who so far have not gotten shots. (Photo by Ellen Schmidt/Las Vegas Review-Journal via AP Photo/File)

Retired builder Vasili Sidamonidze, 70, poses for a portrait at his home in Gori, Georgia, December 6, 2016. “Unfortunately, Stalin is not popular nowadays. Our people don't respect him. Only we, members of the (Communist) Party, respect him”, Sidamonidze said. “I always try to attend Stalin's birthday anniversaries in Gori. Unfortunately many people don't want to join us even if they live nearby. They look at us from their windows”. (Photo by David Mdzinarishvili/Reuters)

A new book of photos by legendary photographer Weegee shows what industrialized, pre-gentrified New York looked like in the mid-20th century, before the city was crammed with towers and billboards. Here: this combination shows the 1945 photo “Derelict sleeping on the sidewalk outside police headquarters” by Weegee, provided by the International Center of Photography in New York, and a woman walking on the same spot on Wednesday, March 18, 2015. (Photo by AP Photo/Copyright Weegee/The International Center of Photography, Mark Lennihan)

EMT Christian Amoroso, wearing personal protective equipment (PPE), pauses while unloading COVID-19 patients at the Montefiore Medical Center Wakefield Campus on April 06, 2020 in the Bronx borough of New York City. A specialized bus known as a Medical Evacuation Transport Unit (METU), caries infected patients on stretchers and benches between hospitals. (Photo by John Moore/Getty Images)

The work of Kirby Sattler is fueled by an inherent interest in the Indigenous Peoples of the Earth. His current images evolve from the history, ceremony, mythology, and spirituality of the Native American