Belgium's Lisa Ingenito competes in the Mixed Artistic Swimming duet technical final on August 15, 2022 during the LEN European Aquatics Championships in Rome. (Photo by Filippo Monteforte/AFP Photo)

Japan's Chinami Yoshida shouts instructions to teammates during a women's curling semifinal match between Japan and Switzerland at the Beijing Winter Olympics Friday, February 18, 2022, in Beijing. (Photo by Nariman El-Mofty/AP Photo)

Abby Dow (L) of England scores a try during the Women's Rugby World Cup Semi Final match between Canada and England at Eden Park in Auckland, New Zealand, 05 November 2022. (Photo by Aaron Gillions/EPA/EFE)

Sofia Evangelia Malkogeorgou and Evangelia Platanioti of Greece perform in the duet technical routine of the artistic swimming event during the Paris 2024 Olympic Games at the Aquatics Centre in Saint-Denis, north of Paris, on August 9, 2024. (Photo by Gonzalo Fuentes/Reuters)

Chris Hondros, a Getty Images photographer, was fatally wounded on April 20, 2011, in a mortar attack by government forces while covering the civil war in Libya. Hondros' work is woven in our history as he covered everything from politics to marathons. A new film will focus on his life as told through his images. Here's a look at some of his finest and final work. Some of these images are graphic in nature

Soldiers, including two recruits who have brought some chickens, at Victoria prepare to board the train for the battle front. (Photo by Hulton Archive/Getty Images)

Students perform during a “Bhangra” folk dance competition at a university in Amritsar on October 29, 2024. (Photo by Narinder Nanu/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)