A Slovakian company has designed an egg-shaped and cozy micro-home that should work ideally for anybody who wants to “go off the grid” and “live off the land” – the Ecocapsule.

Jason Ramsay and Amy Laverty, from Arbroth, Scotland, pose beside a large Christmas tree at Bondi Beach on December 25, 2016 in Sydney, Australia. Bondi Beach is a popular tourist destination on Christmas Day. (Photo by Don Arnold/Getty Images)

A woman crosses the street on a foggy morning in Frankfurt, Germany, Friday, October 29, 2021. (Photo by Michael Probst/AP Photo)

This image of a young bareback rider was taken in the village of Palenque de San Basilio, in Colombia’s Bolívar department. Founded by freed slaves in the 17th century, it became the first free town in the Americas, following a decree by the Spanish crown. Most of today’s inhabitants are direct descendants of those slaves and have preserved many of their customs, including their own language, Palenquero. (Photo by Sebastián Suki Beláustegui/The Guardian)

Children play on an abandoned car near a protest, which is against the dissolution of Yemen's parliament and the Shi'ite Muslim Houthi militia's tightening grip on power, in the southwestern city of Taiz, February 13, 2015. (Photo by Mohamed al-Sayaghi/Reuters)

Members of indigenous Gurung community wearing traditional attire takes part with others in a New Year celebration ceremony known as “Tamu Lhosar” in Kathmandu on December 30, 2022. (Photo by Prakash Mathema/AFP Photo)

Syrian refugee boys play with toy guns at Eminonu district in Istanbul, Turkey, 08 January 2019. (Photo by Sedat Suna/EPA/EFE)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)