Underwater photographer of the year – winner. Dancing Octopus by Gabriel Barathieu (France). Location: Island of Mayotte, off the coast of south-east Africa. “Balletic and malevolent”, one judge said of this octopus, hunting in a lagoon. Barathieu waited until spring tides when there was just 30cm of water on the flats and plenty of light in the shallows. (Photo by Gabriel Barathieu/UPY2017)

A cockfight is seen at an event organised to celebrate the Lunar New Year and the year of the Rooster on the outskirts of Bangkok, Thailand January 29, 2017. (Photo by Jorge Silva/Reuters)

Tropical acrobatics by Adrià López Baucells in Manaus, Brazil. An unidentified South American marsupial, although the characteristic black markings on its face indicate it may be a mouse opossum. These small creatures are nocturnal and feed on bugs, fruit and bird eggs. (Photo by Adrià López Baucells/2019 Royal Society of Biology Photography Competition)

“Photo mechanic” and photographer Ionut Caras creates surreal concepts by combining the everyday with the unthinkable. His use of light and tone takes the viewer into a bizarre and beautiful world only seen in storybooks and our dreams. Photo: “The observer”. (Photo by Ionut Caras)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

Sport category, winner: Yuan Peng. Liu Bingqing and Liu Yujie are twin sisters who have studied and trained in gymnastics since their early childhood in Jining, China. (Photo by Yuan Peng/Sony World Photography Awards)

A Philippine boy collects used plastic bottles to be sold at a junk shop at Divisoria market in Manila on November 29, 2017. (Photo by Noel Celis/AFP Photo)

At the Krasnopresnenskaya station, the benches come from the Cathedral of Christ-Sauveur, which was built from 1839 to 1883 in memory of the victory of Russia against the army of Napoleon I. The cathedral was destroyed under Stalin in 1931, but the benches remained intact. Metro architects decided to install them in some stations. (Photo by Didier Bizet/The Washington Post)