Iranian Shiite Muslim women gather around a bonfire after rubbing mud on their body during the “Kharrah Mali” (Mud Rubbing) ritual to mark the Ashura religious ceremony in the city of Khorramabad, some 470 kms southwest of Tehran, early in the morning on October 1, 2017. “Khrreh Mali” or “Mud Rubbing” is a ritual that is held in the city of Khorramabad every year to commemorate the seventh century slaying of Prophet Mohammed' s grandson Imam Hussein, in which Iranian men roll over in mud and dry themselves by gathering around the bonfires before flagellating themselves. (Photo by Atta Kenare/AFP Photo)

A tear rolls down the cheek of Karima el-Mahroug, also known as Ruby, a Moroccan woman at the center of ex-Premier Silvio Berlusconi's s*x-for-hire trial, as she reads a statement to reporters during a protest outside the court house, in Milan, Italy, Thursday, April 4, 2013. The Moroccan woman at the center of ex-Premier Silvio Berlusconi's s*x-for-hire trial has denounced what she says is psychological warfare being waged against her by Italian prosecutors. Ruby, read out a lengthy statement Thursday to a gaggle of reporters in front of Milan's courthouse denying she was a prostitute and insisting that prosecutors hear her side of the story. (Photo by Luca Bruno/AP Photo)

Born in 1958 in Kiev, Ukraine, artist Mark Khaisman studied Art and Architecture at the Moscow Architectural Institute in Russia. Now living in Philadelphia, USA, Khaisman uses rolls of brown packaging tape to create incredible works of art. Mark characterizes his work as ‘pictorial illusions formed by light and shadow’. The three key elements are: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of packaging tape Mark can ‘play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment’.

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

Claire and Rupert Callender of the Green Funeral Company pose for a photograph with a environmentally friendly coffin in woodland close to their office at Dartington Hall Estate on February 4, 2011 near Torquay, England. The Devon-based company operates as funeral directors and undertakers throughout the South West, offers an ecological alternative to traditional funerals, with coffins made from ecologically friendly materials such as wicker and bamboo, and can arrange funerals that encompass diverse religious and spiritual beliefs everything from a Catholic Requiem Mass, to a Pagan ritual at a stone circle on Bodmin Moor. (Photo by Matt Cardy/Getty Images)

For the past 20 years,Marco has divided his time photographing, traveling, and living between italy and France. He regularly participates in workshops in Paris. Sharpening his technical skills and learning to take risks. He has been investigating various photographic styles, including macro-photography of precious stones and insects, portraits and weddings. All of these subjects have given him the opportunity to bring his love for the medium into areas which challenges his capacity to be creative.

The landscape series we’ve selected from Leo Caillard photography is a series of panoramic views of negative and information-filled spaces. The French photographer describes his remarkable work in the following terms: “a landscape series I chose to shoot in very high definition. A work about the action of humans in diverse types of environments; void of activity or full of information.

In this Monday, March 10, 2014 photo, a 9,000 year-old mask is on display at the Israel Museum in Jerusalem. The exhibition called “Face To Face” shows eleven stone masks, said to have been discovered in the Judean desert and hills near Jerusalem, which date back 9,000 years and offer a rare glimpse at some of civilization's first communal rituals. (Photo by Tsafrir Abayov/AP Photo)