An armoured vehicle surrounded by Chicago cops at the time of the American depression, 1933. (Photo by Rolls Press/Popperfoto/Getty Images)

Ernie Lotinga, looking terrified as a gun is pointed in his face, in a scene from the play “My Wife's Family”, at the Garrick Theatre, London. (Photo by Sasha/Getty Images). 24th February 1941

A customer buys a box of bullits and a target of Osama Bin Laden October 3, 2001 at Blue Ridge Arsenal in Chantilly, VA. Guns sales have risen across America since the September 11th terrorist attacks. (Photo by Mark Wilson/Getty Images)

Anglers cast lines through holes into a frozen river during an ice fishing competition at the Hwacheon Sancheoneo Ice Festival on January 7, 2012 in Hwacheon-gun, South Korea. (Photo by Chung Sung-Jun/Getty Images)

Spectators in Moscow were treated to the site of humorously designed makeshift aircraft plunging into the Muskova River during the Red Bull Flugtag Moscow 2011 competition. 38 teams took part at the Flugtag – which means “flying day” – a competition in which teams in fancy dress attempt to pilot human-powered, home-made flying machines off a six-meter-high platform into water.

Photo: A makeshift aircraft plummets into the Moskva River during the Red Bull Flugtag Moscow 2011 competition. (Photo by Sergei Karpukhin/Reuters)

More great and peculiar work from Chicago based sculptor Jessica Joslin. Joslin assembles her hybrid creatures from objects found in obscure junk shops, flea markets, attics, taxidermy supply houses, specialty hardware distributors…or even just walking through the woods. “Miniature machine bolts, springs and couplings comprise anatomical structures. Many of the beasts have hidden movements: a spring loaded beak, snapping jaws, jointed legs and adjustable tails. Some creatures are free-standing but have mechanisms to allow for movement or multiple positions.”

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)