Russian support personnel work to help get Expedition 29 crew members out of the Soyuz TMA-02M spacecraft shortly after the capsule landed with Expedition 29 Commander Mike Fossum, and Flight Engineers Sergei Volkov and Satoshi Furukawa on November 22, 2011 outside of the town of Arkalyk, Kazakhstan. NASA Astronaut Fossum, Russian Cosmonaut Volkov and JAXA (Japan Aerospace Exploration Agency) Astronaut Furukawa are returning from more than five months onboard the International Space Station (ISS) where they served as members of the Expedition 28 and 29 crews. (Photo by Bill Ingalls/NASA via Getty Images)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

Like a scene from a fantasy movie, a dilapidated room that appears to have been literally ripped out of a building remains suspended in mid air above Nantes, France. Its walls were torn apart, revealing bricks below the plaster, and wood floors reveal the joists inside. The floating room is accessible via a ladder. The gravity defying surreal installation is the work of Argentinean artist Leandro Erlich. The large-scale piece, called “Monte-meubles – L’ultime déménagement” (literally - The Furniture Lift – The Ultimate Moving Out), was created for the biannual Le Voyage a Nantes, an art festival which turns the entire French city into an art gallery.

A dhobi, or a washerman washes cloths on the banks of the River Gomti in Lucknow, India, Saturday, September 12, 2020. Dhobis are traditional laundry workers who wash clothes by hand and dry them in the sun, an occupation which has been in existence for generations. Most cities in India have a Dhobi Ghat, or washermen's area, where the city's pile of clothes is laundered. This practice is still popular in India, despite of modern technology. Around 1,000 families work in Lucknow's Dhobi Ghat. However, in light of the novel coronavirus, their wages have decreased drastically. With each family earning around US$100-200 per month. (Photo by Rajesh Kumar Singh/AP Photo)

Australian craftsman Moerkey, also known as Michael Moerkerk, recycles discarded keys and transforms them into unique works of art. It all started when he was supposed to be cleaning out his shed and he came across some old copper pipe. He then cut it into rings and began honing a technique that lead to the creation of decorative spheres, bowls, figures, and more.

A man sells eels caught for a meal amid a lockdown to slow the spread of coronavirus, in a slum area of Yangon, Myanmar, October 21, 2020. (Photo by Shwe Paw Mya Tin/Reuters)

William Gibson is not one of the authors that spits out novels like a machine – in his long and fruitful career he has only published 11 novels andof short stories and articles in the tens each. Still his impact on modern literature was huge – the “noir prophet” of the cyberpunk subgenre (that he was one of the pioneers of) has predicted the rise of reality television, virtual reality, video games and the internet. He is a Hugo and Nebula award winning science fiction writer, with a special eye for what the future might bring.