Donald Trump is flanked by Playmates at a party celebrating Playboy magazine's 45th anniversary at the Life Club in New York on December 3, 1998. (Photo by Richard Corkery/NY Daily News Archive via Getty Images)

Italy's Mount Etna, Europe's tallest and most active volcano, spews lava as it erupts on the southern island of Sicily, Italy, February 28, 2017. (Photo by Antonio Parrinello/Reuters)

Eddie Ladd and Gwyn Emberton perform as Dylan and Caitlin Thomas in “Caitlin” at the Lauriston Hall, Edinburgh, Scotland on August 25 2017. (Photo by Mary Turner/Reuters)

Dana Friedman, a trial lawyer who has spent 6 months of each year growing out his beard for his annual appearance as Santa Claus since 2001, greets children outside wearing masks as a precautionary measure at the Bay Terrace Shopping Center in Queens as the global outbreak of the coronavirus disease (COVID-19) continues, in New York City, U.S., December 6, 2020. (Photo by Caitlin Ochs/Reuters)

Women smeared with “Gulal” as they celebrate Holi, the Hindu spring festival of colours, in Kolkata on March 25, 2024. (Photo by Dibyangshu Sarkar/AFP Photo)

Mother Nesrin Mehre, mourns near the body of Muhammad Mehre was killed in an Israeli attack on al-Nasr neighborhood in northwestern Gaza, on September 23, 2025. His body was taken from al-Shifa Hospital for burial. (Photo by Khames Alrefi/Anadolu via Getty Images)

A woman with a snake on her body, taken in Rio de Janeiro, Brazil, April 2017. A holistic therapist uses snakes to massage her clients – claiming it cures depression and even helps victims of abuse. Instead of traditional massaging techniques, Sarah Zaad uses up to six pythons and boa constrictors on brave customers who want to relax or be treated for mental disorders. The flamboyant therapist from Rio de Janeiro, Brazil believes her snakes have a magic touch, which can benefit people by massaging their bodies. (Photo by Kadeh Ferreira/Barcroft Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)