Sixty four year old Hollywood movie stuntman Rock Taylor drives through a huge sheet of glass at the 02 Arena on September 13, 2011 in London, England. The stunt was performed in an attempt to break a previous Guinness record to “break through the Largest breakaway glass structure in a car”. The stunt was to mark “Remember a Charity” week, which aims to encourage more people to leave gifts to charity in their will. (Photo by Dan Kitwood/Getty Images)

The stern of the stranded cargo vessel Rena grounded on the Astrolabe Reef is seen on October 20, 2011 in Tauranga, New Zealand. Salvage crews continue to pump oil off the ship in an effort to remove as much as possible before bad weather predicted for the evening threatens to break the vessel and release more oil into the sea. Over 300 tonnes of oil has leaked from Rena since it hit the reef on October 5. (Photo by New Zealand Defence Force via Getty Images)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A woman looks at a handgun at the Glock booth at the Shooting Hunting and Outdoor Trade Show, Tuesday, January 19, 2016, in Las Vegas. The SHOT Show, the world's largest annual trade show for shooting, hunting and law enforcement professionals, runs through January 23 and is expected to feature 1,600 exhibitors showing off their latest products and services to more than 62,000 attendees. (Photo by John Locher/AP Photo)

A masked Kashmiri protester shouts freedom slogan near burning tires set up as road blockade by protesters in Srinagar, Indian controlled Kashmir, Tuesday, July 19, 2016. The largest street protests in recent years in the disputed region, that left dozens of people dead and hundreds injured erupted more than a week ago after Indian troops killed a popular young rebel leader. (Photo by Dar Yasin/AP Photo)

Italian artist Marcello Barenghi draws incredibly realistic everyday objects that appear almost three dimensional with the help of colored pencils and occasional enhancements using markers or watercolor. Each work appears ever so slightly stylized which I think sets these apart from similar hyperrealistic drawings that are meant to ‘trick’ a viewer. If you want to see more, Barenghi runs a YouTube channel where he documents the process of almost every drawing.

Aluminium ingots are stored at a foundry shop of the Rusal Khakassia aluminium smelter outside the town of Sayanogorsk, Russia, September 3, 2015. Russia's Rusal has decided to delay a decision on its possible first dividend since listing five years ago though its second-quarter core profit more than doubled thanks to cost cuts and a weaker rouble. (Photo by Ilya Naymushin/Reuters)