An Israeli jail authority officer escorts a prison van containing Palestinian prisoners as it enters Hasharon jail on October 16, 2011 in Tel Mond, Israel. IDF soldier Gilad Shalit is to be freed from 5 years of captivity in Gaza in an exchange deal which will see the release of 477 Palestinian prisoners in an initial deal with another 550 to freed after the return of Shalit. (Photo by Uriel Sinai/Getty Images)

British model Jourdan Dunn and London-based hair stylist Issac Poleon attend an event to celebrate the Maximilian Autumn/Winter 2022 collection in The Green Room at The Londoner Hotel on February 20, 2022 in London, England. (Photo by David M. Benett/Dave Benett/Getty Images for The Londoner Hotel)

A man runs after he tried to put himself on fire during a protest at a makeshift camp at the Greek-Macedonian border near the village of Idomeni on March 22, 2016. Greece will not be able to start sending refugees back to Turkey from March 20, 2016, the government said, as the country struggles to implement a key deal aimed at easing Europe's migrant crisis. The numbers are daunting: officials said as of Saturday there were 47,500 migrants in Greece, including 8,200 on the islands and 10,500 massed at the Idomeni camp on the Macedonian border. (Photo by Andrej Isakovic/AFP Photo)

A child poses on the runway during a party hosted by Chasing Fireflies to introduce Gwen Stefani's Harajuku Lovers children's collection at Duff's Cakemix on September 24, 2015 in West Hollywood, California. (Photo by Frazer Harrison/Getty Images for Chasing Fireflies)

A woman paints the floor of a pond as her child pulls at her saree in Delhi, India November 23, 2016. (Photo by Cathal McNaughton/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)