A boy carries sugar cane through a farm on the outskirt of Zaria in Nigeria's northern state of Kaduna November 15, 2016. (Photo by Akintunde Akinleye/Reuters)

Water is seen discharged over the traditional farm houses at Shirakawa-go, the UNESCO World Heritage site on November 9, 2014 in Shirakawa, Japan. This annual drill is held to prevent fire. (Photo by Kaz Photography/Getty Images)

Agricultural workers are rice-transplanting at the Namsa Co-op Farm of Rangnang District in Pyongyang, DPRK, on Tuesday, May 25, 2021. (Photo by Jon Chol Jin/AP Photo)

A Palestinian beekeeper uses smoke to calm bees in the process of collecting honey at a farm in the central Gaza Strip on May 11, 2022. (Photo by Ibraheem Abu Mustafa/Reuters)

Isaac Young rests his cheek on the family horse Rusty's forehead during farm chores before homeschooling in Sunbury, Ohio, November 12, 2024. (Photo by Carolyn Kaster/AP Photo)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

“Hello! My name is Kindra, and photography, over the last six months has become a happily all-consuming activity for me. Through my photos and creation of them, I escape into another world entirely, and then share that world with others. It brings me unending amounts of joy, and I never plan to stop!”. – Kindra Nikole

Photo: “Where the Summer Grass Leads”. (Photo by Kindra Nikole)

A person looks at Theresa Chromati's “steadfast, step into me (allow silence to create the sounds you desire most)”, which is part of Frieze Sculpture, in Regent's Park, in London, Britain on September 18, 2024. (Photo by Mina Kim/Reuters)