Actress Bai Ling poses for a picture in front of St. Basil's Cathedral at the Red Square in Moscow, Russia, July 1, 2015. (Photo by Ivan Burnyashev/Reuters)

Refugees and migrants try to find a place on an already full train headed for Serbia, near the city of Gevgelija, The Former Yugoslav Republic of Macedonia, on February 24, 2016. Refugees and migrants from Iraq and Syria continue to pass through Macedonia on their way to the European Union. (Photo by Georgi Licovski/EPA)

A resident reacts as a health worker collects a swab sample to test for the Covid-19 coronavirus in Colombo on July 27, 2021. (Photo by Ishara S. Kodikara/AFP Photo)

Performers dressed with flower pots on their heads perform during a media preview of the Pacific National Exhibition Fair in Vancouver, British Columbia, Canada, August 15, 2024. Marking its 114th year, the Pacific National Exhibition (PNE) Fair, one of the longest running events in Canada, runs from Aug. 17 to Sept. 2 here this year. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

A child coughs as migrants and refugees run away after Macedonian police fired tear gas at hundreds of Iraqi and Syrian migrants who tried to break through the Greek border fence in Idomeni, on February 29, 2016. Greek police said more than 6,000 people were massed at the border, in a buildup triggered by Austria and Balkan states capping the numbers of migrants entering their territory. (Photo by Louisa Gouliamaki/AFP Photo)

A traffic light is seen next to the Pink Supermoon in Frankfurt, Germany, April 8, 2020. (Photo by Kai Pfaffenbach/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)