Camp director and “duck walk” inventor (Rodin Gilbert Flores, 2nd R) teaches aspiring beauty queens how to “duck walk” at a beauty boot camp in Manila in this picture taken on March 8, 2015. From wading in muddy Philippine rice paddies, former housemaid Janicel Lubina now struts down runways for the country's top designers, and is poised to be crowned among the world's most beautiful. Lubina is a star recruit in one of Manila's beauty pageant boot camps, where shy, lanky teenage girls from remote farming provinces are transformed into poised Barbie dolls who can preach about world peace in six-inch heels. (Photo by Noel Celis/AFP Photo)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)

A gold miner observes from the distance how some women miners work at an open-pit gold mine in Nyarugusu, Geita Region, Tanzania on May 27, 2022. Tanzania is a land rich in minerals and one of the main gold producers in Africa, with gold representing more than 90% of the country's mineral exports. Artisanal and small-scale gold mining have culturally and historically relegated women's participation. The extractive sector in Tanzania has historically been a male-dominated industry with high levels of harassment, sеxual abuse, discrimination and misconceptions over women's involvement, and contributions following traditional beliefs. (Photo by Luis Tato/AFP Photo)

Life in lockdown: Schoolteacher Marzio Toniolo, 35, takes a picture of his two-year-old daughter Bianca painting his toenails as they while away time at home in San Fiorano, one of the original “red zone” towns in northern Italy that has now been extended to the whole country, as his wife, Bianca's mum Chiara Zuddas looks out from their balcony, March 20, 2020. Toniolo has been documenting how his family has dealt with being under quarantine since it began for them in February. (Photo by Marzio Toniolo via Reuters)

Have you ever heard of a phenomenon called the Uncanny Valley? Illustrations created by Swiss illustrator Christo Dagorov show how horrible something may look when it’s a hair’s breadth away from looking human. In his illustrations he combined the shape of human lips with trees, buildings, and even human bodies, making it look from a distance as if the lips were horribly deformed by some unknown disease. However, after a while you make out the shapes, yet the feeling of uneasiness remains, making you shiver from unsuppressable disgust. (Photo by Christo Dagorov)

Art director Stephen McMennamy puts photos together to create quirky images for his ongoing project “combophoto’s”. Whether it’s a seagull with an airplane tail or a pair of donut headphones, he jots down his inspirations for each piece on his tumblr. Ever since he got interested in photography through instagram in 2012, he also set up an extra account named @combophotofail, where he shares a look behind-the-scenes on how these images are produced.

Luis Hernan was always curious about how wireless technologies like radio are transmitted through the air. So after finishing up his studies in architecture, computer science, and design, Hernan decided to research these invisible signals through a PhD at Newcastle University. Hernan set up a system that turned the wireless signals around him into colourful, ghostlike images using long-exposure photography, allowing people to see the strength of the signals around them. (Photo by Luis Hernan)