Mave Grace, 11, who had part of her arm chopped off by militiamen when they attacked the village of Tchee, stands with her sister Racahele-Ngabausi, aged two, in an Internally Displaced Camp in Bunia, Ituri province, eastern Democratic Republic of Congo, April 12, 2018. (Photo by Goran Tomasevic/Reuters)

Fascist youth, both boys and girls, in the rebel uniforms in Irun after the city had been captured by the rebels. (Photo by Maeers/Fox Photos/Getty Images). 13th November 1936

“Entwined Lives”. Tim Laman, US Winner, Wildlife photographer of the year. A young male orangutan makes the 30-metre climb up the thickest root of the strangler fig high above the canopy in Gunung Palung national park, one of the few protected orangutan strongholds in Indonesian Borneo. Laman had to do three days of climbing to position several GoPro cameras that he could trigger remotely. This shot was the one he had long visualised, looking down on the orangutan within its forest home. (Photo by Tim Laman/2016 Wildlife Photographer of the Year)

This photo taken on November 6, 2023 shows people posing for photos next to the statue of “Hachiko” in front of Shibuya station in central Tokyo, ahead of the 100th anniversary of the legendary dog's birth this month. A century since its birth, the tale of the loyal companion who had waited at the Shibuya train station for its master to come home – not knowing he had already died – continues to inspire the public, who have made the statue a singular landmark at a glitzy hub of Tokyo's street culture. (Photo by Richard A. Brooks/AFP Photo)

The winners of The London’s Natural History Museum's prestigious Wildlife Photographer of the Year for 2013 have finally been unveiled. Selected from almost 43,000 entries from 96 countries, the winners offer a glimpse of the stunning array of natural beauty on our planet. Photo: Canada: “Lucky pounce”. “Anticipating the pounce – that was the hardest part”, says Connor, who had come to Yellowstone National Park, Wyoming, USA, in search of wildlife as much as the spectacular landscape. He had found this fox, his first ever, on his last day in the park. It was so absorbed in hunting that Connor had plenty of time to get out of the car and settle behind a rock. It quartered the grassland, back and forth, and then started staring intently at a patch of ground, giving Connor just enough warning of the action to come. When it sprung up, Connor got his shot. And when it landed, the fox got his mouse. (Photo by Connor Stefanison/Wildlife Photographer of the Year 2013)

A man helps another make his way through deep mud at the site of a landslide at the Koslanda tea plantation near Haldummulla October 30, 2014. Hopes of finding survivors under the mud and rubble of a landslide in south-central Sri Lanka had run out by first light on Thursday, though a government minister cut the estimated death toll to more than 100 from 300 the previous night. (Photo by Dinuka Liyanawatte/Reuters)

Starting in September, Indonesia's Mount Sinabung began erupting yet again. In the days that followed, ash and smoke were shot into the air multiple times. As a result, nearby towns turned gray from repeated blows by the volcano. Photo: A man uses his mobile phone as Mount Sinabung continues to erupt, with hot smoke spewing from the volcano, in the Karo district on the north of Indonesia's Sumatra island on November 18, 2013. Officials said a week ago at more than 5,000 people had fled their homes since the volcano erupted early this month. (Photo by Sutanta Aditya/AFP Photo)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)