Freida Pinto as Jas Mitra in Showtime's “Guerrilla”, 2016. (Photo by Sky UK Limited/SHOWTIME)

Women soldiers dance during a parade marking the 78th anniversary of the Indonesian Armed Forces in Jakarta, Indonesia, Thursday, October 5, 2023. (Photo by Tatan Syuflana/AP Photo)

Penny Verdin displays a sleeping squirrel she helped rescue after it was injured during Hurricane Ida, Saturday, September 4, 2021, in Dulac, La. (Photo by John Locher/AP Photo)

People holding umbrellas under strong wind walk pass a crosswalk as tropical storm Ma-on passes Hong Kong, Thursday, August 25, 2022. (Photo by Anthony Kwan/AP Photo)

An animal enthusiast touches a Bearded Dragon displayed for sale as exotic pet at Thailand Reptile and Exotic Expo in Bangkok, Thailand, 02 August 2024. The Thailand Reptile and Exotic Expo is a trade showcase exhibiting hundreds of reptiles and exotic animals from breeders to sell as exotic pets for enthusiasts. (Photo by Rungroj Yongrit/EPA)

A Tibetan nomad family crowds on a motorcycle at a camp for cordycep pickers on May 21, 2016 near Sershul on the Tibetan Plateau in the Garze Tibetan Autonomous Prefecture of Sichuan province. (Photo by Kevin Frayer/Getty Images)

A picture made available on 14 July 2016 shows Greyhound dogs racing at the Wentworth Park Stadium in Sydney, New South Wales (NSW), Australia, 13 July 2016. Greyhound racing has returned to Sydney's Wentworth Park and other NSW tracks for the first time since the state government announced plans to ban it. NSW Premier Mike Baird announced last week plans to shut down the sport in NSW following a Special Commission of Inquiry report that found “chilling” evidence of systemic animal cruelty within the industry. (Photo by David Moir/EPA)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)