Winner, photojournalism. Elephant in the room, by Adam Oswell, Australia Zoo. Visitors watch a young elephant performing underwater. Oswell was disturbed by this scene, and organisations concerned with the welfare of captive elephants say performances like this encourage unnatural behaviour. In Thailand, there are now more elephants in captivity than in the wild. With the Covid pandemic causing tourism to collapse, elephant sanctuaries are becoming overwhelmed with animals that can no longer be looked after by their owners. (Photo by Adam Oswell/Wildlife Photographer of the Year 2021)

It looks like an underwater tornado, but a diver was actually stuck in the middle of a huge school of fish. The fish swarmed around Mika Woyda in their thousands as she swam off the coast of Cabo Pulmo, Mexico. Her husband Caine Delacy snapped the breath-taking images of Mika in scenes he revealed he had never witnessed in 20 years of diving. Before entering the water the couple, who live in Boulder, Colorado, had some shots in mind but never imagined what they would capture. Here: photographer Caine Delacy with his wife Mika Woyda. (Photo by Caine Delacy/Mika Woyda/Caters News)

Impressive images of these alien-like creatures were captured underwater – photographer Cai Songda is a keen diver and did not miss the chance to snap pictures of the unique “aliens”. Here: A Tremoctopus Gracilis in the waters around Anilao, Philippines. (Photo by Cai Songda/Caters News Agency)

Ace Wu searches the deep to photograph stunning underwater creatures. Against their predominantly black backdrops, Wu’s breathtaking subjects glow with sublime vibrancy. In one, a fearsome fish glares at the camera with rows of sharp teeth showing, while in another, a translucent octopus looks like an extraterrestrial. Here: Wunderpus larva. (Photo by Ace Wu/Caters News Agency)

A toddler held by her father swims underwater during a swimming class for babies at Lane Cove pool February 16, 2007 in Sydney, Australia. (Photo by Ian Waldie/Getty Images)

«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.