View of the work “Divided” (2016), within the visual artist's exhibition “Urs Fischer: Lovers”, exhibited at the Museo Jumex in Mexico City, Mexico 31 March 2022. The sensations and emotions of love and life, as well as the energy and forces that create and wear it down, inhabit “Urs Fischer: Lovers”, the first solo exhibition in Mexico by Swiss plastics artist Urs Fischer. (Photo by Alex Cruz/EPA/EFE)

A pelican on a lake in California in the first decade of January 2024 deftly snares a large trout after scooping it up, tossing it into the air and catching it in its bill. (Photo by Jiahong Zeng/Solent news)

Chief priest Gbenga Saala raises a cutlass to kill a dog during an annual prayer and sacrifice celebration of the iron god Ogun in Abuja, Nigeria, June 23, 2015. Every year worshippers offer a dog as sacrifice to Ogun, a traditional Nigerian deity, in hope of an auspicious year ahead. Taxi drivers, blacksmiths, panel beaters and mechanics – trades that depend on metal for their livelihood – pay homage to Ogun, led by high priest Gbenga Saala. As part of the ceremony, the priest pours the dog’s blood on symbols of these workers’ trade: keys, spanners and other tools piled up in a metal barrel. (Photo by Afolabi Sotunde/Reuters)

This photo taken on October 20, 2018 shows tourists posing for a photo on a middle of a railway track passing through an old residential district in central Hanoi. (Photo by Nhac Nguyen/AFP Photo)

A festivalgoer enjoys the weather in the circus area at the Glastonbury Festival at Worthy Farm in Somerset, United Kingdom on Thursday, June 22, 2023. (Photo by Ben Birchall/PA Images via Getty Images)

The knitted sculpture “William Tell” by Patricia Waller sits in the “Broken Heroes” exhibition at the Deschler Gallery on April 26, 2012 in Berlin, Germany. The exhibition of hand-crocheted comic, puppet and cartoon figures shows icons of pop culture in various unfortunate states. (Photo by Adam Berry)

Saraa Mutawkil (R), 18, practises boxing at Al Rabie club in Omdurman May 10, 2016. (Photo by Mohamed Nureldin Abdallah/Reuters)

French photographer and director Romain Laurent started making portrait-based GIFs as a way to produce work outside his commercial jobs, a spontaneous project that would encourage him to produce consistently for himself rather than clients.